About

Long Time Friend

circa 2025

(For info about the start of Long Time Friend keep reading below)


As of the 2020's LTF has added the vocal sounds and songwriting of Colleen Noyes.

Along with LTF, Colleen participates with Neil in Small Noise and Insubordinate and Churlish.


The next LTF album, so far named "Too", will contain a dozen new tunes featuring other guests as well.

Colleen looking for the next special chord

Long Time Friend

circa 2016

Music has been woven into my life for a long time, and I've detailed much of it below. The name Long Time Friend came about around 2016 when I recorded an album with Marian Byrne. While we went through many name possibilities, "LTF" won out.

Marian joined a jam I was running, and after about a year - realizing we had some common musical interests - I asked Marian if she'd be interested in doing a little more music outside of the jam. She was up for it, and LTF was underway.

With music prominently back in my life from the jams, and after many years away from music, the new original songs started to appear again. I was looking for an outlet for some of them and some older tunes I had. This led to recording sessions at our two houses and then to the formation of Long Time Friend and the release of our CD, Move On Over.

While Marian and I tried forming a band to play out with - including with Kathy my Blonde & Grey bandmate mentioned below - after various attempts, the efforts dissolved. We continued to record, and many recordings will be on the next LTF release.

Now, Long Time Friend is a musical outlet for anyone to play live or record with me focusing on original tunes for the most part.

The next album has a variety of players, including Marian.

Blonde & Grey

In 2017, a fabulous musician, Kathy Olsen, showed up at the jam I was heading up. A couple years later, we started playing some open mics, which soon turned into a lot more.

Again, after kicking around band names, including using Long Time Friend, we went with Blonde & Grey.

As of this writing, we've played out over a hundred times and have released two albums.

With Kathy's incredible flute skills and singing style, I found many LTF songs I'd been working on that would work well and others that didn't. This is why Long Time Friend still has value as an outlet for some of my music. Both entities live on!

You can learn more about Blonde & Grey here: Blonde & Grey Website.

Missing Music Years and Then Back At It

Reflecting on how I got to where I am with music, it seems I made a mistake a while back, not focusing more on music for about three decades. After the break up of the band Yap Yap Research (see details below), for the next 30 years, except for playing for various dogs we had, always a fantastic audience, ­and an occasional family sing­-a­-long, my music sat idly by. If I continued focusing on music, who knows where it would have taken me - but you can't go back. I set out to record some of my older tunes on video with unplugged recordings in 2010. Some of those are available in the members' area.

Then, in 2012, having lived in the Columbus, OH, area for over a dozen years, I stumbled upon an acoustic jam group led by John Morgan (morganguitar.com). They met twice a week with well-defined lists and documented songs. I couldn't get enough of it!

After about a year, John mentioned he needed to take a break from the two­-times-per­-week routine and asked if I would take over the Saturday jams ­ – which I did for about a year.

Then, in the summer of 2014, a family business opportunity took me back to the East Coast to the Danbury, CT area. After a few weeks, I realized I missed the weekly jam and started a jam group - DAMJam using Meetup.com. Our first jam was in September of 2014, and one of the five people who showed up was Marian - my initial Long Time Friend partner.

Year One of DAMJam 2015

Band Years

After our family returned from Japan (see below for details), we settled in New York State, where I finished my last two years of High School. I met a fellow musician there who would be part of my music experience for the next ten years. Introducing LT. While still in school, LT was already out playing bass with older players in cover bands around the area, as he was pretty good. He and I hit it off probably because we both had access to a reel-to-reel tape recorder; mine was my Dad's, but I believe he bought his from gig proceeds.

So we started writing tunes and recording them and our version of cover songs. We bounced tracks from one machine to the other, causing loads of hiss noise as we went.

I played with some classmates during my college years, and LT was in and out of bands.

In the late '70s and early '80s, I started playing out solo around the Mid­-Hudson Valley area in New York as an acoustic act. At that point, I began writing songs and mixed originals with many of that time's popular acoustic rock songs.

I also followed LT's band around a lot, and the two of us rented a house with that band's drummer - Larry Brown.

Yap Yap Research

Yap Yap Research

Current Events


Before really going too far as a solo act, and after a variety of things happened, I formed a band with LT called Current Events that we then transformed into another band called Yap Yap Research, this one with Larry, who had moved back to Queens/NYC. So, the two of us also decided to move to New York City.

The first thing we did was put an ad in the Village Voice for a bass player because LT switched to playing keyboards. We were super fortunate that the second audition of the day turned out to be Jill G. Jill was just what we needed, and we settled on the name Yap Yap Research, a silly and serious combination of words.

YYR was an all-original band with socio­-political focused songs. We played around the NYC area for about a year, playing at CBGB's a half dozen times and Gildersleeve's, Zappa's, and other clubs in the area.

During this time, I wrote songs of all types: ­ folk, rock, country, punk, whatever came my way, though we only used a particular kind for YYR. After about a year and just after recording three songs in a studio in NYC studio. In late 1982, my high schoolmate LT wanted to rock to a different beat, so YYR and my desire to continue pursuing success in the music business were dissolved.

Early Years

My father was a career Army Officer, so we moved a lot. When I was 5-8, we lived in Istanbul, Turkey. I was drawn to liking music at an early age. My folks picked up on that and thought the accordion was the way to go.

While in Turkey, they found a great deal on a full-sized accordion, and while I didn't pick up on it while there, they hauled it back to the States, knowing great things were to come.🧐

The following family assignment was in the small town of Keyser, West Virginia. Before long, when I was 9 or 10, they signed me up for accordion lessons. I was going to be the future Polka King! Unfortunately, or maybe not, that was not to be. I don't know how long the lessons lasted, less than 6 months, and it probably disappointed them immensely at the time. Still, I finally convinced them it wasn't for me and stopped the lessons.

My Dad's next assignment was to Vietnam, now a nice place to visit, but less so back then. While he was gone, I convinced my mother to buy me an electric guitar from the Western Auto store, which sold everything, though their guitars could have been better. I don't recall what happened to that guitar, but it didn't make it to our next move, which was Japan.

I took bass and guitar lessons in Japan (ages 13-15). The bass lessons were first given in a Japanese music store outside the Army base. My folks had bought me a Hofner clone (Beatle Bass), and I set out to be the next Paul McCartney. I don't recall how long the lessons lasted, but I ran into something that would be a stumbling block for the rest of my life: I couldn't lock in on reading music. The teacher was very theory-driven. While the amount of theory didn't click with me, the lessons helped me catch on to the notes on the strings and frets, which proved helpful then and whenever I pick up a guitar now.

Neil and Doc Friend (Dad) 1971-72

The guitar lessons were given by an American missionary named Nathan. He came on base to our house. My father also signed up for lessons. We each took a separate lesson until my Dad realized he had too many real-life things to attend to and stopped. My lessons lasted about six months. (see the lesson books below) I, too, had real-life things to get to; I wanted to start a band!

And I did, as the bass player. We were four youngsters, I think Freshmen in High School, who practiced a bit and then got our shot at fame. Well, it was our drummer Tim's shot as he was by far the most accomplished musician in the group.

The main High School Rock Cover band, comprised of more accomplished and older musicians, Juniors and Seniors, were looking for a drummer because theirs was heading back to the States. This is an ongoing thing on Military bases overseas; people are always coming and going.

So, for an audition during one of the band's intermissions, we got up and played our version of Blind Faith's "Do What You Like," which has a lengthy drum solo. We did okay because Tim got the job in the other band. However, that was it for our group. But the bug had bitten; I just loved playing music.

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